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TIFF at 50

Pandemic panic, post-strike rebirth and a bold new market: Part 4 of the oral history of TIFF and what comes next

From 2020 to 2025, TIFF weathers its biggest crises yet 鈥 and emerges with renewed purpose, global ambition, and hope that movie magic still matters in an AI-shaped world.

Updated
5 min read
Chaz Ebert.JPG

Chaz Ebert and Guillermo del Toro present the TIFF Ebert Director Award to Taika Waititi during the 2019 海角社区官网International Film Festival. Both have praised TIFF鈥檚 role in championing diverse voices and the passionate connection between the festival and its audiences.


The start of the 2020s presented TIFF with the gravest existential threats in its history. The COVID-19 pandemic forced an 18-month closure of the TIFF Lightbox. Cancelled schedules, vanished audiences and lost revenues place immense pressure on the organization.

When the festival re-emerges in September 2020 and 2021, it does so in limited, hesitant ways: fewer films, smaller crowds and a pervasive sense of concern about the future. In 2023, TIFF鈥檚 troubles continue as two major Hollywood unions, representing actors and writers, go on strike. This greatly reduces the star presence, although a large international talent contingent still makes the trek to Toronto.

ARTICLE CONTINUES BELOW
Peter Howell

Peter Howell is a Toronto-based movie critic and a freelance contributor to the Star. Follow him on Twitter: .

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