GENEVA (AP) 鈥擩ean-Luc Godard, the ingenious 鈥渆nfant terrible鈥 of the French New Wave who revolutionized popular cinema in 1960 with his first big endeavor, 鈥淏reathless,鈥 and stood for years as one of the world鈥檚 most vital and provocative directors has died. He was 91.
Swiss news agency ATS quoted Godard鈥檚 partner, Anne-Marie Mieville, and her producers as saying he died peacefully and surrounded by his loved ones at his home in the Swiss town of Rolle, on Lake Geneva, on Tuesday.
French President Emmanuel Macron paid tribute to Godard as 鈥渢he most iconoclastic of the New Wave directors鈥 who 鈥渋nvented a resolutely modern, intensely free art form.鈥
He added: 鈥淲e have lost a national treasure, the eye of a genius.鈥
Godard defied convention over a long career that began in the 1950s as a film critic. He rewrote rules for camera, sound and narrative.
He worked with some of the best-known names of French cinema like Brigitte Bardot and bad-boy Jean-Paul Belmondo, who was propelled to stardom through Godard films. He profiled the early Rolling Stones, gave a voice to Marxist, leftist and 1960s-era Black Power politics, and his controversial modern nativity play 鈥淗ail Mary鈥 grabbed headlines when Pope John Paul II denounced it in 1985.
While many of his works were lauded, Godard also made a string of films that were politically charged and experimental, and pleased few outside a small circle of fans, while frustrating many critics who saw them as filled with overblown intellectualism.
Cannes Film Festival Director Thierry Fremaux told The Associated Press on Tuesday that he was 鈥渟ad, sad. Immensely so鈥 at the news of Godard鈥檚 death.
Born into a wealthy French-Swiss family on Dec. 3, 1930 in Paris, Godard grew up in Nyon, Switzerland and studied ethnology at the Sorbonne in France鈥檚 capital, where he was increasingly drawn to the cultural scene that flourished in the Latin Quarter 鈥渃ine-club鈥 after World War II.
He became friends with future big-name directors Francois Truffaut, Jacques Rivette and Eric Rohmer and in 1950 founded the shortlived Gazette du Cinema. By 1952 he had begun writing for the prestigious movie magazine Cahiers du Cinema.
After working on two films by Rivette and Rohmer in 1951, Godard tried to direct his first movie while traveling through North and South America with his father, but never finished it.
Back in Europe, he took a job in Switzerland as a construction worker on a dam project. He used the pay to finance his first complete film, the 1954 鈥淥peration Concrete,鈥 a 20-minute documentary about the building of the dam.
Returning to Paris, Godard worked as spokesman for an artists鈥 agency and made his first feature in 1957 鈥 鈥淎ll Boys Are Called Patrick,鈥 released in 1959 鈥 and continued to hone his writing.
He also began work on 鈥淏reathless,鈥 based on a story by Truffaut. It was to be Godard鈥檚 first big success when it was released in March 1960.
The movie stars Belmondo as a penniless young thief who models himself on Hollywood movie gangsters and who, after he shoots a police officer, goes on the run to Italy with his American girlfriend, played by Jean Seberg.
Along with Truffaut鈥檚 鈥淭he 400 Blows,鈥 released in 1959, Godard鈥檚 film set the new tone for French movie aesthetics. Godard rejected conventional narrative style and instead used frequent jump-cuts that mingled philosophical discussions with action scenes.
He spiced it all up with references to Hollywood gangster movies and nods to literature and visual art.
Godard also launched what was to be a career-long participation in collective film projects, contributing scenes to 鈥淭he Seven Deadly Sins鈥 along with directors such as Claude Chabrol and Roger Vadim. He also worked with Ugo Gregoretti, Pier Paolo Pasolini and Roberto Rossellini on the Italian movie 鈥淟et鈥檚 Have a Brainwash,鈥 with Godard鈥檚 scenes portraying a disturbing post-apocalypse world.
Godard, who was later to gain a reputation for his uncompromising left-wing political views, had a first brush with French authorities in 1960 when he made 鈥淭he Little Soldier.鈥 The movie, filled with references to France鈥檚 colonial war in Algeria, was not released until 1963, a year after the conflict ended.
French New Wave Director Jean-Luc Godard Dies at 91 Director Jean-Luc Goddard (left) and actor Frankie Dymon, on the set of the film ‘Sympathy for the Devil’, circa 1967.
GETTY IMAGESHis work turned more starkly political by the late 1960s. In 鈥淲eekend,鈥 his characters lampoon the hypocrisy of bourgeois society even as they demonstrate the comic futility of violent class war. It came out a year before popular anger at the establishment shook France, culminating in the iconic but short-lived student unrests of May 1968.
Godard harbored a life-long sympathy for various forms of socialism depicted in films from the early 1970s to the 1990s.
Some of the world cinema鈥檚 greatest directors counted Godard鈥檚 boundary-breaking work as an influence, including Quentin Tarantino, Bernardo Bertolucci, Brian De Palma and Jonathan Demme.
Godard took potshots at Hollywood over the years.
He remained home in Switzerland rather than travel to Hollywood to receive an honorary Oscar at a private ceremony in November 2010 alongside film historian and preservationist Kevin Brownlow, director-producer Francis Ford Coppola and actor Eli Wallach.
His lifelong advocacy of the Palestinian cause also brought him repeated accusations of antisemitism, despite his insistence that he sympathized with the Jewish people and their plight in Nazi-occupied Europe.
Though the academy received some complaints about Godard being selected to receive the award, academy President Tom Sherak said the director was recognized solely 鈥渇or his contributions to film in the New Wave era.鈥
Godard married Danish-born model and actress Anna Karina in 1961. She appeared in a string of movies he made during the remainder of the 1960s, all of them seen as New Wave landmarks. Notable among them were 鈥淢y Life to Live,鈥 鈥淎lphaville鈥 and 鈥淐razy Pete鈥 鈥 which also starred Belmondo and was rumored to have been shot without a script. Godard and Karina divorced in 1965.
Godard married his second wife, Anne Wiazemsky, in 1967. He later started a relationship with Swiss filmmaker Anne-Marie Mi茅ville. Godard divorced Wiazemsky in 1979, after he had moved with Mi茅ville to the Swiss municipality of Rolle, where he lived with her for the rest of his life.
To join the conversation set a first and last name in your user profile.
Sign in or register for free to join the Conversation